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"Fuji XF-18-55mm F2.8-4.0 OIS Zoom Lens"

"This short zoom lens covers a range of frequently-used focal lengths from 18mm wide-angle to 55mm telephoto. The lens structure consists of 14 elements in 10 groups, including 3 aspheric and 1 extra low dispersion elements, and a seven-blade rounded diaphragm. The linear motor-driven system delivers high-speed autofocus performance of 0.1 seconds to capture those perfect photo opportunities. Silent operation also makes the lens suitable for video recording. Advanced optical and mechanical designs have been used to keep the lens compact, despite offering fast aperture of F2.8 - 4.0 wide open. It is a fast and highly mobile lens that delivers premium picture quality in a variety of scenes, being suitable for low-light photography or scenes with beautiful bokeh in the background. It features an OIS (Optical Image Stabiliser) equivalent to 4 stops, controlling the effect of camera shake and preventing blurry shots. The lens is equipped with an aperture ring so that users can easily adjust the aperture while holding the camera up to their eye. 18-55mm focal length 135 equivalent: 27-84mm F2.8-F22 aperture Fujifilm X-mount LensFast Maximum Aperture of F2.827-84mm (35mm Equivalency)Optical Image StabilizationSmooth Linear Motor-Driven Autofocus Fujifilm X-mount LensFast Maximum Aperture of F2.827-84mm (35mm Equivalency)Optical Image StabilizationSmooth Linear Motor-Driven Autofocus"
Price: 754.99

"Fuji XF-56mm F1.2 APD Lens"

"A large-diameter medium-telephoto prime lens. The fast F1.2 lens produces creamy bokeh, while its 56mm focal length, equivalent to 85mm in 35mm film format, offers a comfortable shooting distance from the subject. X-Series cameras have won a solid reputation for their faithful reproduction of skin tones and combining them with this lens delivers the ultimate portrait photography results. The built-in APD filter, the pinnacle of Fujifilms nanotechnology, produces even smoother bokeh, making the subject stand out even more and enhances creativity, not only for portraits, but also on a wide range of other subjects. NEW Built-in apodisation filter The FUJINON LENS XF56mmF1.2 R APD offers the same brilliant levels of sharpness, even when shooting at F1.2 aperture, as the standard FUJINON XF56mmF1.2 R. In addition, a brand new built-in apodisation filter smoothes the outlines in the out of focus areas. This combination of image sharpness and beautiful bokeh delivers portraits with a three-dimensional feel. Lens construction The lens contains eleven glass elements in eight groups, including one aspherical glass moulded lens element and two extra low dispersion lens elements. Spherical aberrations are corrected by the aspherical glass element to deliver high resolution at the maximum aperture setting. Chromatic aberrations are greatly reduced thanks to the combination of two extra-low dispersion lens elements and three cemented lens elements. Fujifilms unique HT-EBC lens coating and LMO technology By applying Fujifilms unique HT-EBC (High Transmittance Electron Beam Coating) to all lens surfaces, ghosting and flare is controlled for sharp, clear results. By combining this lens with an X Series camera body with Lens Modulation Optimiser (LMO) technology, the performance from the lens is improved even further. LMO corrects diffraction to produce images with edge-to-edge sharpness and create a realistic three-dimensional effect, even at small apertures. Autofocusing for a lens with an apodisation filter This is the first lens with an apodisation filter to use high-precision contrast AF. Combined with an X Series camera body, more natural shots of subjects are possible thanks to the near-silent shutter sound. High build quality and comfortable operation The apodisation filter delivers its best results at wider apertures. To enable wide apertures to be used even in bright environments, an ND filter is included that adjusts brightness in three levels. To indicate the apodising effect, the lens features an aperture ring showing the effective F No. in red. The difference between the F No. and the effective F No. indicates the effectiveness of the apodisation filter. Focal length: 56 mm 135 equivalent: 85 mm Lens mount: Fujifilm X Mount Max. aperture: F1.2 Min. aperture: F16 Filter size: 62 mm Built in apodisation filter X-Mount Lens/APS-C Format 85mm (35mm Equivalent) Aperture Range: F1.2 to F16 Apodization Filter for Pleasing Bokeh One Aspherical Element, Two ED Elements"
Price: 1387.99

"Fuji XF-50-140mm F2.8 WR OIS Lens"

"The FUJINON XF50-140mmF2.8 R LM OIS WR has a focal length equivalent to 76-213mm (35mm format equivalent), and a constant F2.8 aperture throughout the range. The length of the lens barrel remains constant throughout the entire zoom range, and features a weather resistant and dust-resistant finish that can also work in temperatures as low as -10°C. Thanks to a high-performance gyro sensor, a unique image stabilization algorithm and the bright F2.8 aperture hand-holding is possible in a wider range of conditions, while the worlds first Triple Linear Motor allows comfortable shooting with fast, quiet autofocusing. Optical design for flagship telephoto zoom image quality To deliver the best image quality in its class, this luxurious telephoto zoom uses an optical construction comprising 23 glass elements in 16 groups, with five ED lens elements and one Super ED lens element comparable to a fluorite lens. This maximizes the reduction of chromatic aberrations and delivers high resolving power. Applying Fujifilms unique HT-EBC (High Transmittance Electron Beam Coating) to the entire area of the lens surface ensures ghosting and flare are controlled for sharp, clear images. Also, using the newly developed Nano-GI(Gradient Index) coating technology, which alters the refractive index between glass and air, ghosting and flare are effectively reduced for diagonal incident light. Like other XF lenses, seven rounded aperture blades create a smooth, circular bokeh. An optical design has been used to produce beautiful bokeh at both front and back. An inner zooming mechanism means the lens does not change length so the lens balance remains the same throughout the zoom range. By combining this lens with an X Series camera body** with Lens Modulation Optimizer* (LMO) technology, the performance from the lens is improved even further. LMO corrects for diffraction*** to produce images with edge-to-edge sharpness and create a realistic three-dimensional effect, even at small apertures. High-speed, quiet autofocus thanks to the worlds first Triple Linear Motor An Inner Focusing System**** is used for high-speed AF. By reducing the weight of the focus lens and mounting the Triple Linear Motor at intervals of 120°, high-speed, quiet AF is possible. Faster AF is possible when by combining this lens with an X Series camera body offering Phase Detection AF. Combined with the near-silent shutter sound, photos can be taken unnoticed in quiet locations. As AF operates using a signal from the imaging sensor, extremely high-precision focusing is possible. With a minimum working distance of 1m for the entire zoom range, this lens is also great for close ups. The best image stabilisation performance in its class Thanks to a high-performance gyro sensor and unique algorithm that cancels drift due to temperature changes, the XF50-140mm delivers the best image stabilization performance in its class. Combined with a bright F2.8 aperture, handholding is now possible in new areas for a telephoto zoom. Weather resistant, dust-resistant and freezeproof to -10°C low-temperature operation By applying seals to each portion of the barrel, the lens is weather-resistant, dust-resistant and -10°C low-temperature operation, making it the perfect companion for the X-T1, which has the same levels of protection. High build quality and comfortable operation Both the focus and aperture rings are metal, plus metal is also used on the exterior of the lens body for a high-quality finish. Thanks to long-term experience and broaden know-how for other top-end professional lens fields such as Broadcasting and CinemaScope, the texture and torque on the rings makes for comfortable shooting even for delicate manual focusing. The lens mount is made from brass for improved strength. Combined with a camera body, the lens is approximately 60% of the weight of a full-size system*****, considerab 50-140mm Lens 76-213mm (35mm format equivalent) F2.8 aperture throughout the range Weather resistant and dust-resistant finish Image stabilization Fast, quiet autofocusing X-Mount Lens/APS-C Format 76-213mm (35mm Equivalent) Aperture Range: F2.8 to F22 Five ED Elements & One Super ED Element Nano-GI and HT-EBC Lens Coatings"
Price: 1564.99

"Fuji XF-18mm F2.0 Lens"

"Boasting a compact design, this lightweight and versatile 18mm XF F2 lens (135 equivalent: 27mm) produces enhanced image resolution right to the image edge. Featuring an all-glass aspherical lens and other elements, the lens is polished to perfection and treated with Super EBC coating while the high-quality metal barrel and precision-machined 1/3-step aperture ring gives versatile control. Excellent out-of-focus bokeh are achieved thanks to the design of the moulded aperture diaphragm blades. The blades are curved to create a circular image at all aperture settings, while the very edges of each blade are meticulously rounded off rather than simply cut off, which delivers a sharper image. Specifically designed to maximise the mirror less design of the X-Pro1 body, the X-Mount has a short flange back distance of just 17.7mm giving high resolution right across the image. 18mm focal length 135 equivalent: 27mm F2.0-F16 aperture Fujifilm X-mount Lens Very Fast F2.0 Maximum Aperture Equivalent to 27mm Wide-Angle Lens Aspheric and ED Elements Super EBC Lens Coating Fujifilm X-mount Lens Very Fast F2.0 Maximum Aperture Equivalent to 27mm Wide-Angle Lens Aspheric and ED Elements Super EBC Lens Coating"
Price: 598.99

"Fuji XF-90mm F2 R LM WR Lens"

"The FUJINON XF90mmF2 R LM WR is a fast-aperture prime lens with a focal length equivalent to 137mm* and a maximum aperture of F2.0, that delivers ultra-sharp images with rich bokeh even at the maximum aperture setting. The optical construction of 11 elements in 8 groups (including three ED glass elements) minimises vignetting and creates beautiful bokeh thanks to the rounded diaphragm, which makes it perfect for portraiture as well as other applications. Ultra-sharp images even at the maximum aperture The optical construction comprises 11 elements in 8 groups, including three ED (extra low-dispersion) elements, which reduces chromatic aberrations to deliver sharp, rich images even at the widest aperture of F2.0. Beautiful bokeh The rounded aperture blades combined with an optical construction designed to minimize vignetting creates beautiful circular bokeh right to the edge of the image. In addition, stunning depth is possible in images thanks to the differentiation between the razor-sharp subject and the bokeh in front and behind it. High-speed autofocus as fast as 0.14sec* thanks to a newly-developed Quad Linear Motor A linear motor is fast, quiet and accurate, but here four magnets are used for higher torque. The high-speed autofocus provides a more versatile shooting experience, allowing users to quickly react to subtle changes in a subjects facial expression. Close focusing to 60cm and 0.3x magnification (35mm format equivalent) The close focusing capabilities of the FUJINON XF90mmF2 R LM WR allow you to isolate key parts of a subject so you can shoot dramatic portraits or close-ups of flowers and insects. Weather, Dust, and Freeze Resistance The lens features a weather- and dust-resistant structure with seven seals on the lens barrel. It can also work in temperatures as low as -10°C. This keeps the lens protected from rain, dust and splashes of water when shooting outdoors. Lightweight and compact The lens weighs approx 540g, and is compact too, with a filter thread measuring just 62mm. The combined weight with the XF56mmF1.2 R is less than 1kg great news for portrait photographers who want to travel light and still shoot with prime lenses for sharp image 90 mm Focal length 135 equivalent: 137 mm Fujifilm X Mount Max. aperture: F2 Min. aperture: F16 Filter size: 62 mm Weather Resistance X-Mount Lens/APS-C Format 137mm (35mm Equivalent) Three Extra-Low Dispersion Elements Super EBC Lens Coatings Quad Linear Autofocus Motor"
Price: 985.99

"Fuji XF-56mm F1.2 Lens"

"The XF56mm F1.2 R is less than half the size of an equivalent lens on a full-frame camera and offers fast, quiet autofocusing that ensures stress-free shooting for both the photographer and the model. It also delivers incredible resolving power for high quality results that are enhanced by the unique skin tone reproduction technology found in Fujifilms X-mount cameras. Using the XF56mm and selecting one of two PRO Negative modes from the Film Simulation menu on the camera body will ensure users can capture beautiful portraits with rich tonal gradations reminiscent of images from film cameras. Like all other lenses in the XF line up, the XF56mm F1.2 R is designed with an impressive attention to detail. It has a design that sits comfortably in the hand and exterior features including a metal aperture ring for a premium quality feel. Advanced optical design for professional portraits The lens new optical design featuring 11 elements in 8 groups delivers impressive results. The design includes two ED (extra low-dispersion) elements and one double-sided aspherical element, plus four elements with a convex surface facing the subject, which combine to reduce spherical and chromatic aberrations. They also ensure the best possible image resolution, even when the lens is at its widest aperture of F1.2. Image quality is further enhanced by Fujifilms proprietary HT-EBC coating thats used on all lens surfaces to reduce ghosting and flare, while the seven-blade rounded diaphragm produces the creamy smooth bokeh effect thats become synonymous with XF series lenses. Attach the XF56mm F1.2 lens to a body that supports the Lens Modulation Optimiser and picture quality leaps even higher thanks to the automatic correction of diffraction when shooting at smaller apertures. Fast autofocus, silent operation The XF56mm F1.2 R combines an inner focus mechanism and a DC coreless motor for rapid autofocusing speeds, which are boosted further when used with a X-series camera body that supports phase detection AF. The structure and positioning of the focusing unit reduces sound and vibration for silent operation and with no lens barrel movement during focusing, the structure effectively prevents dust particles from getting into the lens and degrading picture quality. Premium build quality In keeping with the XF lens legacy, the 56mm F1.2 R features a durable, metal construction - including the aperture and focusing rings - to ensure a high quality feel. The aperture ring is designed to ensure its easy to detect clicks between f-stops, while the focusing ring is both comfortable in use and has the perfect amount of torque so its simple to focus precisely. Advanced optical design for professional portraits Fast autofocus, silent operation Premium build quality Fujifilm X-Mount 85mm (35mm Equivalent) Aperture Range: F1.2 to F16 One Double-Sided Aspherical Element Two Extra-Low Dispersion Elements"
Price: 985.99

"Kenko Aosta Interceptor Messenger Bag - Medium - Yellow"

"The Messenger Bag has a slim profile and an adjustable, padded shoulder strap. The main compartment has a large flap-over lid for convenient access to equipment, without having to remove the bag from your shoulder. There is a zippered pocket in the lid, inner mesh pockets and adjustable, padded dividers that can be removed in one piece so you can also use this as an ordinary bag. Outer Material: Waterproof ?Tarpaulin? - plastic-coated nylon & polyester mix Seamless high frequency welding Water resistant zipper Removable, padded inner bag with 2 moveable partition dividers Inside mesh pocket with 3 compartments for accessories External dimensions: W48cm x D17cm x H26cm Internal dimensions: W35cm x D11cm x H13cm Weight: 0.72kg"
Price: 25.75

"Kenko Aosta Interceptor Messenger Bag - Small - Pink"

"The Messenger Bag has a slim profile and an adjustable, padded shoulder strap. The main compartment has a large flap-over lid for convenient access to equipment, without having to remove the bag from your shoulder. There is a zippered pocket in the lid, inner mesh pockets and adjustable, padded dividers that can be removed in one piece so you can also use this as an ordinary bag. Outer Material: Waterproof ?Tarpaulin? - plastic-coated nylon & polyester mix Seamless high frequency welding Water resistant zipper Removable, padded inner bag with 2 moveable partition dividers Inside mesh pocket with 2 compartments for accessories External dimensions: W40 x D14.5cms x H19 cm Internal dimensions: W28 x D9.5 x H10.5 cm Weight: 0.54kg"
Price: 20.95

"Kenko 82mm PL Fader Variable ND3 - ND400 Filter"

"Newly Developed Unique Design The PL FADER uses two high-transparency polarizing film layers to control the amount of light that passes through the filter and into camera lens. For Longer Exposure Without changing the aperture, the PL FADER allows the freedom to change the shutter speed according the effect desired. For Wider Apertures With the PL FADER, the shutter speed remains constant for a wide aperture easily creating a blurred background effect. Prevents Overexposure / Highlight Clipping Even with a shutter speed of 1/8000 seconds, a large aperture of F1.4 or F1.2 can cause overexposure/highlight clipping. With the PL FADER, this overexposure is eliminated. Flexible Light Control for HDSLR Video For HD video-enabled cameras, use the PL FADER to easily adjust light control. "
Price: 137.00

"Kenko 77mm PL Fader Variable ND3 - ND400 Filter"

"Kenko 72mm PL Fader Variable ND3 - ND400 Filter"

"Kenko 67mm PL Fader Variable ND3 - ND400 Filter"

"Kenko 62mm PL Fader Variable ND3 - ND400 Filter"

"Kenko 58mm PL Fader Variable ND3 - ND400 Filter"

"Kenko 55mm PL Fader Variable ND3 - ND400 Filter"

"Kenko 52mm PL Fader Variable ND3 - ND400 Filter"

"Kenko 82mm Digital NDX Variable ND2.5 - ND1000 Filter"

"For Longer Exposures Without changing the aperture, the Variable NDX filter allows the freedom to change the shutter speed according to the effect desired. For example, without adjusting the aperture, the same 1/60 scene can be taken using the Variable NDX filter with shutter speeds from 1/20 to 6 seconds, with just a turn of the outer filter ring. The problem of diffraction is eliminated by being able to work with a slow shutter speed. For Wider Apertures With the Variable NDX filter, the shutter speed remains constant for a wide aperture easily creating a blurred background effect. Prevents Overexposure / Highlight Clipping Even with a shutter speed of 1/8000 seconds, a large aperture of F1.4 or F1.2 can cause overexposure / highlight clipping. With the Variable NDX filter, this overexposure is eliminated. For HDSLR MOVIES For HD video-enabled cameras, use the Variable NDX filter to easily adjust light control and shutter speed. The Variable NDX filter makes it simple to produce blurred background effects, simulate a night scene or create manual fade in / fade out effects. It is also perfect for use in bright locations such as beach or snow scenes and city scapes. Easy to Operate / Easy Framing / Easy Focus With a tripod mounted camera, use the brightest setting for framing and focus and then increase the density to your desired level by simply turning the outer filter ring. 1. Framing and Focus 2. Turn the outer Ring 3. Adjust the Aperture and Shutter Speed 4. Shoot Avoid Vignetting The singular versatility of the Variable NDX filter not only replaces a whole set of stacking neutral density filters it also removes vignetting which may be caused by using multiple filters. For Longer Exposures Without changing the aperture, the Variable NDX filter allows the freedom to change the shutter speed according to the effect desired. For example, without adjusting the aperture, the same 1/60 scene can be taken using the Variable NDX filter with shutter speeds from 1/20 to 6 seconds, with just a turn of the outer filter ring. The problem of diffraction is eliminated by being able to work with a slow shutter speed. Prevents Overexposure/Highlight Clipping Even with a shutter speed of 1/8000 seconds, a large aperture of F1.4 or F1.2 can cause overexposure/highlight clipping. With the Variable NDX filter, this overexposure is eliminated. For HDSLR Movies For HD video-enabled cameras, use the Variable NDX filter to easily adjust light control and shutter speed. The Variable NDX filter makes it simple to produce blurred background effects, simulate a night scene or create manual fade in/fade out effects. It is also perfect for use in bright locations such as beach or snow scenes and cityscapes. Newly Developed Unique Design Kenko's uniquely designed variable neutral density filter provides the equivalent brightness range of ND 2.5 to ND 1,000 (practical use being up to ND450). Polarizing Effect Cancellation The Variable NDX filter changes the brightness of light using a polarized filter. This new filter uses a ""polarizing effect cancellation"" where a polarized filter is used, but purely for controlling the amount of light with no effect on color balance, glare or reflections. DMC - Digital Multi-Coated Digital multi-coated filters greatly reduce the appearance of lens flare and ghosting caused by reflections. The Benefits of Having a Depolarization Plate Variable NDX filter using a depolarizing plate Random polarization is eliminated when natural light passes through the depolarization plate, minimizing any change in color by using 2 layers of polarizing film. Exposure Values Chart The Variable NDX filter changes exposure values by rotating the front element of the filter. In order to evaluate the correct exposure to use, please refer to your camera's built in meter. (Please note: The scale position on the side of the filter is not proportional to the ND values). For Wider Apertures With the Variable NDX filter, the shutter speed remains constant for a wide aperture easily creating a blurred background effect. Safety Precautions Human injury or material damage may occur if filter is used mistakenly because instructions are not observed. Do not drop or impact filters. If glass breaks, do not touch it with bare hands, as doing so may cause injury. Moreover, filter frame may become misshapen, and unattachable to lens. Do not leave filter in direct sunlight or hot & humid locations, as doing so may discolor filter, which will prevent desired effect. Be sure to properly attach filter to lens. Failure to do so may mean that the filter will detach and fall from the lens, which will damage the filter thread. There are some specialist wide-angle lenses that have extremely protruding front eye centers. Attaching a filter to such a lens may cause contact between filter and lens, possibly scratching the lens, so be sure to carefully check the gap between the filter and lens while attaching the filter. Be sure to become fully acquainted with filter effects prior to taking photographs. Structural Weakness - Color Shift When using a neutral density higher than 450, cross-like color variations may occur. Structurally this problem cannot be eliminated due to the 2 layers of polarizing film. Upkeep To clean off dirt from glass, add a small amount of lens cleaner to a lens cloth or lens paper, and wipe the lens as if drawing a circle. When glass is clean, wipe it dry with lens cloth, making sure that no lens cleaner remains on the glass. When filter is not in use, place it in supplied case, and store away from direct sunlight, and very hot and humid locations. Filter Size(mm): 77-82 DMC - Digital Multi-Coated For Longer Exposures For Wider Apertures Prevents Overexposure / Highlight Clipping For HDSLR MOVIES"
Price: 271.99

"Kenko 77mm Digital NDX Variable ND2.5 - ND1000 Filter"

"Kenko Aosta Interceptor Tote Bag - Yellow"

"The Tote Bag has a large capacity and Dual carrying options with grab handles and the padded shoulder strap. The main compartment has a wide roll-up opening for easy access to equipment, with velcro sealing and a security buckle. There are also 4 D-rings below the grab handles which can hold other clip-on accessories. Inside, there are adjustable, padded dividers that can be removed in one piece so you can also use this as an ordinary bag."
Price: 24.50

"Kenko Aosta Interceptor Tote Bag - Black"

"Kenko KCM-3100 Professional Color Temperature Meter"

"Ambient Light Readings First set the appropriate film type, choose the display mode and memory channel (if present). Set the Mode switch to ""AMBI"", then simply aim the meter's light receptor at the scene and press the measurement button. Measurement readings will be calculated and appear in the almost immediately and color temperature measurements will be taken as long as the measurement button is held down. The KCM-3100's measuring range for ambient light is EV 3 to 16.3 using ISO 100. Three Display Modes LB (Light Balancing) and CC (Color Compensating) Indexes The LB index is used to select the right amber or blue LB filter needed to balance a light source. Its measurement is the mired difference between the photographic color temperature specified for the selected film type and the temperature of the light source. The CC index is the value of the required magenta or green colored CC filter. Filter number and CC index The Kodak Wrattan light balancing filter number (or numbers) needed, display directly in the LCD to make easy selection of amber or blue LB filter (s). The CC index is the value of the required magenta or green colored CC filter. Photographic Color Temperature The photographic color temperature of the light source is measured in degrees Kelvin and determined according to the spectral sensitivity of color films. Nine memory channels for customizing the meter to your working style Film and lighting equipment manufacturers all claim that their products are balanced to ""daylight"" (5500K) or ""tungsten"" (3400K or 3200K). However, their testing is performed in laboratories under highly controlled conditions. We live and photograph in the real word. CCD and CMOS sensors from different manufactures read and interpret color differently. Film from different manufacturers render color differently. Different batches of the same film render color differently. Different lighting equipment renders color differently. The quality and age of that equipment is also a factor. The sun cannot even be relied upon, rarely shines at a perfect (5500K) and can vary widely depending on time of day, weather and pollution in the air. The KCM-3100s nine memory channels make coping with these challenges much more simple. Once you determine the correct filt ration for the film or equipment being used you can simply enter the difference between your filt ration and the meter reading into the meter's memory. The meter will adjust all future reading accordingly. Flash Light Readings First set the appropriate film type and choose the display mode. Set flash range selctor switch to Hi or Lo depending on the output of the flash unit (s), set the shutter speed to be used (from 1 sec. to 1/500 sec.). The total flash measurement range is from f/2.8 to f/180 at ISO 100. Flash Reading With Sync Cord For Sync Cord setting, set the mode selector switch to""CORD"" and connect the flash sync-cord to the Sync Terminal in the front of the KCM-3100, Then a temperature reading can be taken by simply pressing the Measurement button on the side of the meter. The flash will then fire, a measurement will be taken and the measurement reading will appear in the LCD display. Flash Reading Without Sync Cord When using a non-cord flash set-up, set the mode selector switch to ""NON.C."" Pressing the measurement button sets the meter in stand-by mode. When the flash is fired manually, a measurement will be taken and the measurement reading will appear in the LCD display. Analyzer Mode for Flash Light Measurements Only By setting the shutter speed to ""F"", the KCM-3100 will only display measurement readings for the light from a flash. Useful Shutter Speed Range A selectable range of shutter speeds from 1 full second down to a fast 1/500 of a second set in full stops for flash measurement. Lighting for Flash photography usually is made up of a combination of flash and ambient light. The KCM-3100 measures the ""mixed"" lighting at the selected shutter speed. After measurement the shutter speed set in the meter can be changed which effectively changes the ratio of ambient light to flash. The meter will automatically recalculate the results and display the new reading for the new shutter speed."
Price: 961.99

"Kenko Aosta Telephoto Lens Case 330"

"Bag allows to store and carry up to 600mm F4 class super tele lenses with camera attached to the lens. Stylish and reliable backpack for 600mm class super tele lens with attached camera. Adopted to carry monopod. Store shutter release, glasses and other belongings. Large side pocket for bigger accessories like conversion lenses or adapters. Pocket for repair tools and small accessories. Side flap storage with zipper for clothes, books and gloves. Suitable space for lens hood and blower. Top zipper pocket for quick access to smart phone or filters. Top flap with double protection. First cover with inner flap Then fix outer flap with buckle. Included rain cover that covers the whole backpack. Rubber flexible strings to carry light jacket or towel."
Price: 28.95

"Kenko 105mm Digital Multi Coated UV Filter"

"UV filters absorb the ultraviolet rays which often make outdoor photographs hazy. Fully coated surfaces increases light transmissions and absorb UV rays to give clearer and sharper puictures. The use of ultra clear glass ensures that colour balance is manitained. This multi-purpose fine-weather filter is for use with any digital camera, including film and digital SLR's. What’s more, you can use it constantly, offering full-time protection for your lens. By having a Kenko UV MC Pro filter, you will also be adding protection to the front elements on your lenses against stratches."
Price: 113.95

"Kenko 95mm Digital Circular Polarizing Filter"

"The Kenko 95mm Digital Circular Polarizing Filter allows you to remove unwanted reflection from non-metallic surfaces such as water and glass. Kenko's Circular Polarizing Filters, uses newly developed, innovative polarizing material. WIDE BAND makes Digital SLR camera's viewfinder image colour difference has been corrected."
Price: 158.00

"Kenko 77mm Smart Clear PRO Circular Polarizing Filter + UV Absorbing"

"High Transparency Film This Filter uses a newly developed high transparency film that passes more visible light the filter while still filtering the same amount of polarized light. UV Absorbing The glass of the Clear PRO filter also has UV absorbing properties making the Clear PRO a combination CPL and UV filter. Superior Color & Contrast Enhancement CPL filters allow you to remove unwanted reflection from non-metalic surfaces such as water, glass etc. They alsoenable colors to become more saturated and appear clearer with better contrast. This effect is often used to increase the contrast and saturation in blue skies and white clouds. Kenko's CPL filter do not affect the overall color balance of a shot."
Price: 59.95

"Kenko 46mm Smart Clear PRO Circular Polarizing Filter + UV Absorbing"

"Kenko 40.5mm Smart Clear PRO Circular Polarizing Filter + UV Absorbing"

"Kenko 82mm Air UV Filter"

"High quality UV filter for 82mm diameter lenses. This filter is designed to filter out the Ultraviolet rays which often make outdoor photographs look hazy and indistinct, especially at altitude or in distant landscapes. This useful filter can be left in place to serve as a permanent lens protector. Features / Tech Spec: - Filters out UV light (haze) for clearer, sharper images - Protects your lens from dust and knocks - Developed for use with digital cameras - Available in sizes from 37mm to 82mm diameter"
Price: 13.00

"Kenko 77mm Air UV Filter"

"High quality UV filter for 77mm diameter lenses. This filter is designed to filter out the Ultraviolet rays which often make outdoor photographs look hazy and indistinct, especially at altitude or in distant landscapes. This useful filter can be left in place to serve as a permanent lens protector. Features / Tech Spec: - Filters out UV light (haze) for clearer, sharper images - Protects your lens from dust and knocks - Developed for use with digital cameras - Available in sizes from 37mm to 82mm diameter"
Price: 14.95

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