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| "FAB CAPS By Carl Moore" |
| "Digital artist Carl Moore produces an aesthetic like no other: revelling in the uncanny, Moore’s prints are an exercise in contemporary surreality, achieved to extraordinary success. Merging the playful with the tragic, the absurd with the endearing, Moore produces highly graphic images, bold in their colour and compositional technique. Against a highly saturated, turquoise coloured background, ‘FAB CAPS’ depicts a classic Fab ice lolly, its layers of pink, white, and chocolate sprinkles in delicious high definition. Yet, in true surreal fashion, Moore confounds our expectations: a closer look reveals that the colourful sprinkles are not candies but capsules, tiny medical pills encrusted onto the frozen treat. Not your average sugary ice-cream - and not your average screen print either: Moore’s work is brilliantly unique and devilishly spirited."
Price: 225.00 |
| "Sea Rock By Louise Cattrell" |
| "Contemporary landscape artist Louise Cattrell is known for her haunting paintings, which capture the natural scenery with abstract intensity. ‘Sea Rock’ is reminiscent of a Turner painting: swirls of oil paint form the indistinct outline of a rock, lost in tempestuous ocean waves. Using a delicate palette of blues, peaches, and earthy browns, Cattrell summons the seascape through her dynamic use of the paintbrush. Both earthly and otherworldly, ‘Sea Rock’ is an enduringly beautiful example of twenty-first century romanticism."
Price: 395.00 |
| "Encounter By Danny Rolph" |
| "Internationally renowned artist Danny Rolph is known for his materially intricate, multi-layered paintings and installation pieces, which exploit abstraction to inimitable success. ‘Encounter’ is a triumph of colour and compositional technique, merging thick strokes of pigment with collage elements in a clashing rainbow of colours. The use of abstract expression is deployed to perfection in the print: subtle and nuanced, Rolph creates an artistic balance that seems to move before the viewers eyes, drawing all of the disparate elements together around a dynamic flow, rather than a fixed focal point."
Price: 960.00 |
| "Clare's Inspiration By Maurice Cockrill" |
| "Acclaimed artist Maurice Cockrill was a leading figure of Liverpool’s art scene in the 1960s. His played with Pop and photo realist styles, before settling into what is often described as ‘Romantic Expressionism’: a twentieth century take on poetic self expression, merging abstract elements with fragments of the figurative. ‘Claire’s Inspiration’ showcases Cockrill’s signature style. A large love heart sits at the centre of the print. Yet this small gesture towards visual reference is almost undone by the swathes of abstract pigment that Cockrill has launched at the print in drips, splatters, and strokes, all in a cacophony of clashing colours. ‘Claire’s Inspiration’ seems to straddle the Abstract Expressionist and Pop Art movements that dominated the twentieth century, self consciously questioning visual art with vibrant visual artistry."
Price: 600.00 |
| "Brief Encounter By Gerard Hemsworth" |
| "Internationally renowned artist Gerard Hemsworth merges modernist tropes with a cartoon aesthetic, to create unsettled and uncanny works of art. His illustrations and paintings are defined by a sense of the unknown: offering a fragment of familiarity to the viewer, only to confound and complicate expectations. ‘Brief Encounter’ has all the hallmarks of a comic strip: a pair of children’s legs stand at the top of the print while cartoonish whizzing motions whip about them, and simple line drawings create the sparse scenery. Yet there is something problematic about the print. Cropping key constituents of the action, refusing a focal point, and allowing elements to spill beyond the confines of the image, Hemsworth’s print troubles our understanding of referentiality and, in so doing, questions its own meaning and purpose with conceptual aplomb."
Price: 600.00 |
| "Known 1 By Remi Rough" |
| "A key exponent of the ‘abstract graffiti’ movement in the 1990s, Remi Rough began his career in the 80s on the walls of the city, creating large scale murals which soon developed into abstract-expressionism-meets-graffiti-art. Today, Remi Rough’s limited edition prints read something like, ‘Malevich-meets-Mondrian-meets-the metropolis’ - in other words, big, bold, colourful, and utterly unique. For ‘Known 1’, Rough has exploited constructivist compositional technique, collaging together shapes with graphic sensibility. Using an almost monochrome palette - with only the slightest injection of colour - Rough layers discs against thin lines, which refuse perfect situation, tipping at the subtlest of angles to confound the viewer’s expectations with ease and artistic confidence."
Price: 180.00 |
| "Notorious By Remi Rough" |
| "A key exponent of the ‘abstract graffiti’ movement in the 1990s, Remi Rough began his career in the 80s on the walls of the city, creating large scale murals which soon developed into abstract-expressionism-meets-graffiti-art. Today, Remi Rough’s limited edition prints read something like, ‘Malevich-meets-Mondrian-meets-the metropolis’ - in other words, big, bold, colourful, and utterly unique. For ‘Notorious’, Rough has exploited constructivist compositional technique, collaging together blocks of primary colour along a series of diagonal lines. Simultaneously creating a sense of harmony and hazard, ‘Notorious’ confounds its viewer’s expectations with ease and artistic confidence for a powerful print."
Price: 200.00 |
| "Alphabet Aerobics - Pink and Blue By Remi Rough" |
| "A key exponent of the ‘abstract graffiti’ movement in the 1990s, Remi Rough began his career in the 80s on the walls of the city, creating large scale murals which soon developed into abstract-expressionism-meets-graffiti-art. Today, Remi Rough’s limited edition prints read something like, ‘Malevich-meets-Mondrian-meets-the metropolis’ - in other words, big, bold, colourful, and utterly unique. For ‘Alphabet Aerobics - Pink and Blue’, angular swirls of bright pink and blue intermix in a harmoniously haphazard composition. Graffiti tags? Birds in flight? Fiery flames? Figurative or not, the abstract shapes seem to perform their own aerobics, flexing and twisting under your eyes with beautiful dynamism."
Price: 125.00 |
| "Alphabet Aerobics - Yellow and Blue By Remi Rough" |
| "A key exponent of the ‘abstract graffiti’ movement in the 1990s, Remi Rough began his career in the 80s on the walls of the city, creating large scale murals which soon developed into abstract-expressionism-meets-graffiti-art. Today, Remi Rough’s limited edition prints read something like, ‘Malevich-meets-Mondrian-meets-the metropolis’ - in other words, big, bold, colourful, and utterly unique. For ‘Alphabet Aerobics - Yellow and Blue’, angular swirls of bright yellow and blue intermix in a harmoniously haphazard composition. Graffiti tags? Birds in flight? Fiery flames? Figurative or not, the abstract shapes seem to perform their own aerobics, flexing and twisting under your eyes with beautiful dynamism."
Price: 125.00 |
| "Beachy Head Lighthouse, Belle Tout By Eric Ravillious" |
| "Erica Ravilious was an English artist, prolific in the 1930s, who is known for his deeply evocative paintings of the Sussex Downs. Through his impressionistic approach, Ravilious captured the roll and sweep of the hilly countryside with an artistic clarity that seems to bring the terrain to life within the confines of the canvas. ‘Beachy Head Lighthouse (Belle Tout Interior)’ is painted from within a room of a hilltop house. Including the curved bay window and its decorative casing, Ravilious’s painting looks out over the iconic view of Beachy head and the Seven Sisters, as they skim the coastline with their grassy-green tops and chalk-white edges. In the distance, the titular lighthouse is just visible, a small speck in the expansive ocean. Using a sketchy, crosshatch technique and soft, muted colour palette, Ravilious beautifully captures the impression of sunrise over the coastal downland."
Price: 225.00 |
| "George Michael By Mike Edwards" |
| "Mike Edwards has pioneered contemporary typographical art, masterfully mixing images with graphic font for a striking aesthetic. Taking icons form the music industry, Edwards creates portraits using song lyrics, producing works that bring together different art forms in the most seamless of styles. ‘George Michael’ depicts the eponymous singer, his face formed from lines of verse, penned by Edwards in an homage to the late great. Edwards’s collage poem has been constructed from Michael’s lyrics, creating circular layers of referentiality for an innovative and poignant meeting of literature and visual art."
Price: 250.00 |
| "Debbie Harry - New York By Mike Edwards" |
| "Mike Edwards has pioneered contemporary typographical art, masterfully mixing images with graphic font for a striking aesthetic. Taking icons form the music industry, Edwards creates portraits using song lyrics, producing works that bring together different art forms in the most seamless of styles. Inspired by Debbie Harry and the New Wave culture of New York more broadly, Edwards has penned a poem, which draws together Blondie song lyrics alongside Big Apple imagery. The lines of verse have been visualised into an image of Debbie Harry’s face, in graduating tones of blue, while the words ‘New York’ have been overlaid in bold shades of orange. An innovative meeting of literature and visual art, ‘Debbie Harry New York’ is a powerful piece of contemporary print making."
Price: 250.00 |
| "I'm OK By Euan Roberts" |
| "Euan Roberts is a London based artist whose work explores the unspectacular using bright, childlike colours in thick acrylic paint. His syncopated compositions explore the everyday and the ignored to reflect the unrefined nature of humanity that contemporary culture seeks to repress. ‘I’m OK’ forms part of Roberts’s recent body of work, which celebrates the natural world through a series of simple and organic scenes. White waves fill the bottom of the image under a salmon-pink sky, both coloured with daubs of bright, blocky paint. From the centre of the frothing ocean, a hand emerges, holding up a small sign that reads ‘I’m OK’. The piece recalls the tragedy of Stevie Smith’s poem ‘Not Waving but Drowning’ while, simultaneously capturing a sense of optimism, through its colourful aesthetic: a brilliant encapsulation of our very human dualisms and contradictions."
Price: 100.00 |
| "Battle on Mount Atlas By Euan Roberts" |
| "Euan Roberts is a London based artist whose work explores the unspectacular using bright, childlike colours in thick acrylic paint. His syncopated compositions explore the everyday and the ignored to reflect the unrefined nature of humanity that contemporary culture seeks to repress. ‘Battle on Mount Atlas’ depicts a tussle between two boxers, situated on an extinct volcanic peak in the Antarctic. As gloved fists fly in the air, a graveyard of dark crosses foreshadows a fatal conclusion, while tiny, childlike dinosaurs scamper across the print, injecting some surreality and a little light relief. By racially polarising the two fighters - one is black, the other white - Roberts raises the question of ethic antagonisms, yet the image leaves us in suspense: how will the future of the fight pan out? Will the truce last, or will aggression prevail?"
Price: 200.00 |
| "Duo Diagonal Red By Lothar Gotz" |
| "London based artist Lothar Gotz creates large scale, installation drawings and paintings which revel in colour and geometry. The transposition of Gotz’s aesthetic into print condenses the power of his aesthetic into little jewels of artistry. ‘Duo Diagonal Red’ depicts a network of intricate lines, moving contrapuntally to create an illusionistic impression of depth and movement. The red lines converge diagonally around two central points, which seem to twist below the surface of the print, gesturing to a focal point beyond the visual constraints of the printed form. Beautiful in its abstract form, ‘Duo Diagonal Red’ creates light, texture, and materiality out of the perfect balance between simplicity and harmony."
Price: 390.00 |
| "Junglist XL - Classic By Kid-B" |
| "Kid-B is an emerging artist on the street-art scene. The creative brainchild of female Bass music DJ ‘B-Trix Kiddo’, Kid-B translates her passion for beats onto the canvas, to create a street style that’s dripping with urban savvy. Mixing street-art with a pop aesthetic, Kid-B’s work is all about bold graphics, loud palettes, and no-fuss attitude. ‘Junglist XL - Classic’ is the latest addition to her collection ‘In the Beginning’, which celebrates the birth of Drum and Bass and Jungle culture in the 90s. The print takes the lyrics from Congo Natty’s 1996 track of the same name, spelling out a section in alternating typefaces: graffiti-tag scrawl and big, bold lettering. Against a black background, the font is white, with pink and orange shadowing, for a strong palette that recaptures the effortless cool of 90s iconography."
Price: 100.00 |
| "Junglist XL - Teal By Kid-B" |
| "Kid-B is an emerging artist on the street-art scene. The creative brainchild of female Bass music DJ ‘B-Trix Kiddo’, Kid-B translates her passion for beats onto the canvas, to create a street style that’s dripping with urban savvy. Mixing street-art with a pop aesthetic, Kid-B’s work is all about bold graphics, loud palettes, and no-fuss attitude. ‘Junglist XL - Teal’ is the latest addition to her collection ‘In the Beginning’, which celebrates the birth of Drum and Bass and Jungle culture in the 90s. The print takes the lyrics from Congo Natty’s 1996 track of the same name, spelling out a section in alternating typefaces: graffiti-tag scrawl and big, bold lettering. Against a teal coloured background, the font is white, with pink and orange shadowing, for a strong palette that recaptures the effortless cool of 90s iconography."
Price: 100.00 |
| "Junglist XL - YBR By Kid-B" |
| "Kid-B is an emerging artist on the street-art scene. The creative brainchild of female Bass music DJ ‘B-Trix Kiddo’, Kid-B translates her passion for beats onto the canvas, to create a street style that’s dripping with urban savvy. Mixing street-art with a pop aesthetic, Kid-B’s work is all about bold graphics, loud palettes, and no-fuss attitude. ‘Junglist XL - YBR’ is the latest addition to her collection ‘In the Beginning’, which celebrates the birth of Drum and Bass and Jungle culture in the 90s. The print takes the lyrics from Congo Natty’s 1996 track of the same name, spelling out a section in alternating typefaces: neon yellow graffiti tag and bold, white lettering with pink and orange shadowing. Against a dark grey background, the strong palette and eye-catching lettering recaptures the effortless cool of 90s iconography."
Price: 100.00 |
| "Junglist - Classic By Kid-B" |
| "Kid-B is an emerging artist on the street-art scene. The creative brainchild of female Bass music DJ ‘B-Trix Kiddo’, Kid-B translates her passion for beats onto the canvas, to create a street style that’s dripping with urban savvy. Mixing street-art with a pop aesthetic, Kid-B’s work is all about bold graphics, loud palettes, and no-fuss attitude. ‘Junglist - Classic’ is the latest addition to her collection ‘In the Beginning’, which celebrates the birth of Drum and Bass and Jungle culture in the 90s. The print takes the lyrics from Congo Natty’s 1996 track of the same name, spelling out a section in alternating typefaces: graffiti-tag scrawl and big, bold lettering. Against a black background, the font is white, with pink and orange shadowing, for a strong palette that recaptures the effortless cool of 90s iconography."
Price: 65.00 |
| "Junglist - Teal By Kid-B" |
| "Kid-B is an emerging artist on the street-art scene. The creative brainchild of female Bass music DJ ‘B-Trix Kiddo’, Kid-B translates her passion for beats onto the canvas, to create a street style that’s dripping with urban savvy. Mixing street-art with a pop aesthetic, Kid-B’s work is all about bold graphics, loud palettes, and no-fuss attitude. ‘Junglist - Teal’ is the latest addition to her collection ‘In the Beginning’, which celebrates the birth of Drum and Bass and Jungle culture in the 90s. The print takes the lyrics from Congo Natty’s 1996 track of the same name, spelling out a section in alternating typefaces: graffiti-tag scrawl and big, bold lettering. Against a teal coloured background, the font is white, with pink and orange shadowing, for a strong palette that recaptures the effortless cool of 90s iconography."
Price: 65.00 |
| "North Essex Landscape by Isabel Alexander" |
| "Described by admirers as ‘the English Georgia O’Keefe’, Isabel Alexander was one of England’s most evocative landscape painters of the twentieth century - though her work has only recently received the recognition is deserves. Working with a variety of media - including illustration, water colour, oils, lithography, and lino-printing - Alexander documented rural and often socially overlooked pockets of the country with delicate sensitivity. ‘North Essex Landscape’ depicts the rolling fields of the Essex countryside in wintertime: the trees are leafless, the crops have all been reaped, and a low sun lingers in a greying sky. With true artistic prowess, Alexander captures the textures and undulations of the pastoral scene at every gentle brush stroke."
Price: 148.00 |
| "Orkney Crossing by Isabel Alexander" |
| "Described by admirers as ‘the English Georgia O’Keefe’, Isabel Alexander was one of England’s most evocative landscape painters of the twentieth century - though her work has only recently received the recognition is deserves. Working with a variety of media - including illustration, water colour, oils, lithography, and lino-printing - Alexander documented rural and often socially overlooked pockets of the country with delicate sensitivity. ‘Orkney Crossing’ depicts the blue, ocean waves, seen from the back of a ferry crossing. White gulls hover in the softly clouded air, while the intense azure of the sea tells us that this is surely a summer’s day. Through her dappled brush effect, use of colour, and compositional technique, Alexander’s painting excites all of the senses to transport us to the scene: as we gaze at ‘Orkney Crossing’ we feel the sway of the little boat and the heat of the afternoon, hear the cries of the birds and the splashes of the waves, and taste the salt air on our tongues."
Price: 195.00 |
| "Points of Contact No. 24 by Victor Pasmore" |
| "British architect and artist Victor Pasmore was a key voice in the development of abstract art in Britain in the 1940s and 50s. His nuanced compositions speak to a distinctly English sensibility: subtler than their brash American counterparts - Pollock, Rothko, Motherwell - Pasmore’s pieces are deeply attuned to the spatial, inviting a quietly ponderous appreciation. For ‘The Abstract’, Pasmore has broken the surface of the print into three distinct colour blocks: dark and light brown, flanking a strip of white. Into the central, white panel, Pasmore has arrayed a series of chocolate coloured shapes, which seem to bleed into the shaded blocks in soft, fuzzy orbs. Suffused with a delicate, haunting quality, Pasmore’s compelling print is a shining example of mid-century abstract art."
Price: 175.00 |
| "The Abstract by Victor Pasmore" |
| "British architect and artist Victor Pasmore was a key voice in the development of abstract art in Britain in the 1940s and 50s. His nuanced compositions speak to a distinctly English sensibility: subtler than their brash American counterparts - Pollock, Rothko, Motherwell - Pasmore’s pieces are deeply attuned to the spatial, inviting a quietly ponderous appreciation. For ‘Points of Contact No. 24’, Pasmore has arrayed a series of soft black shapes onto an off-white background. Interspersed with think lines of black pigment and subtle points of colour, the print refuses referentiality, asking us not to imagine a prior experience but to treat the artwork itself as experience. Suffused with a haunting quality, Pasmore’s compelling print is a shining example of mid-century abstract art."
Price: 175.00 |
| "Pilgrim’s Way by Simon Palmer" |
| "Simon Palmer is an acclaimed, contemporary artist, whose work details scenes of the British landscape. Bearing the traces of Eric Ravillious and Paul Nash, Palmer’s work revels in palettes of soft, woody greens and earthy browns, favouring a non-linear perspective which perfectly captures the undulations of the Yorkshire Dales or the labyrinthine layout of a meandering forest. ‘Pilgrim’s Way’ depicts a snapshot of the English countryside: rows of autumn trees create a narrow avenue, surrounded by rolling downland under a cold, grey sky. As long, evening shadows cast themselves across the landscape, a group of walkers amble into the distance, their brown coats and green hats almost camouflaging them amongst the fields and foliage."
Price: 225.00 |
| "Nemo Nisi Mors By Edd Pearman" |
| "British artist Edd Pearman is known for his iconic paintings of the human form. Using oversimplification and limited palettes, Pearman captures his subjects with super-real clarity, reminding us that the painted form still possesses power over the photographic. ‘Nemo Nisi Mors’ depicts an elaborate insignia in soft greyscale. Set in near-perfect symmetry, the image features prancing horses, militia men kneeling at they armoury, Grecian draperies, and the royal, cross-topped orb. The Latin title - with its loose translation ‘Only in Death Whom I Fear’ - scrolls across the bottom of the crest, to reflect classical symbolism. Pearman has painted his subject with such sensitivity to light and shade that the image appears almost computer generated. By setting the modern and antiquated processes in dialogue, Pearman’s print reasserts the value of fine art in the twenty-first century."
Price: 400.00 |
| "Vivos Voco Mortuos Plango By Edd Pearman" |
| "British artist Edd Pearman is known for his iconic paintings of the human form. Using oversimplification and limited palettes, Pearman captures his subjects with super-real clarity, reminding us that the painted form still possesses power over the photographic. ‘Vivos Voco Mortuos’ depicts an elaborate insignia in soft greyscale. Set in near-perfect symmetry, the image features black birds of prey, a human skull, and a sword, all perched atop a decorated bandstand. The Latin title - which roughly translates as ‘I Call the Living Dead’ - scrolls across the edifice to reflect classical symbolism. Pearman has painted his subject with such sensitivity to light and shade that the image appears almost computer generated. By setting the modern and antiquated processes in dialogue, Pearman’s print reasserts the value of fine art in the twenty-first century."
Price: 400.00 |
| "Omnia Mors Aequat By Edd Pearman" |
| "British artist Edd Pearman is known for his iconic paintings of the human form. Using oversimplification and limited palettes, Pearman captures his subjects with super-real clarity, reminding us that the painted form still possesses power over the photographic. ‘Omnia Mors Aequat’ depicts an elaborate insignia in soft greyscale. Set in near-perfect symmetry, the image features feathered bird wings, twisting acanthus leaves, and efflorescent lilies. The Latin title - which roughly translates as ‘Death Equalises All’ - scrolls across the centre of the crest, to reflect classical symbolism. Pearman has painted his subject with such sensitivity to light and shade that the image appears almost computer generated. By setting the modern and antiquated processes in dialogue, Pearman’s print reasserts the value of fine art in the twenty-first century."
Price: 400.00 |
| "Lágrimas By Edd Pearman" |
| "British artist Edd Pearman is known for his iconic paintings of the human form. Using oversimplification and limited palettes, Pearman captures his subjects with super-real clarity, reminding us that the painted form still possesses power over the photographic. Taking its name from the Spanish for ‘teardrop’, Pearman’s ‘Lágrima’ collection depicts a series of matadors, caught momentarily as they tumble through the air. Set against a flat, grey background, ’Lágrimas’ portrays all of the fighter, adorned in brightly coloured traditional dress. As they fall, their soft capes billows outwards like parachutes, holding them in a delicate tangle of suspension - a beautiful juxtaposition to the brutality of the bull fight. Pearman has painted his subjects with such sensitivity to light and shade that the image appears almost computer generated. By setting the modern and antiquated processes in dialogue, Pearman’s print reasserts the value of fine art in the twenty-first century."
Price: 225.00 |
| "Lagrima 1 By Edd Pearman" |
| "British artist Edd Pearman is known for his iconic paintings of the human form. Using oversimplification and limited palettes, Pearman captures his subjects with super-real clarity, reminding us that the painted form still possesses power over the photographic. Taking its name from the Spanish for ‘teardrop’, Pearman’s ‘Lágrima’ collection depicts a series of matadors, caught momentarily as they tumble through the air. Set against a flat, grey background, ’Lágrima 1’ is adorned in traditional dress, in shades of rose-pink and butter-yellow. As he falls, his soft cape billows outwards like a parachute, holding him in delicate suspension - a beautiful juxtaposition to the brutality of the bull fight. Pearman has painted his subject with such sensitivity to light and shade that the image appears almost computer generated. By setting the modern and antiquated processes in dialogue, Pearman’s print reasserts the value of fine art in the twenty-first century."
Price: 175.00 |
| "Lagrima 2 By Edd Pearman" |
| "British artist Edd Pearman is known for his iconic paintings of the human form. Using oversimplification and limited palettes, Pearman captures his subjects with super-real clarity, reminding us that the painted form still possesses power over the photographic. Taking its name from the Spanish for ‘teardrop’, Pearman’s ‘Lágrima’ collection depicts a series of matadors, caught momentarily as they tumble through the air. Set against a flat, grey background, ’Lágrima 1’ is adorned in traditional dress, in shades of rose-pink and butter-yellow. As he falls, his soft cape billows outwards like a parachute, holding him in delicate suspension - a beautiful juxtaposition to the brutality of the bull fight. Pearman has painted his subject with such sensitivity to light and shade that the image appears almost computer generated. By setting the modern and antiquated processes in dialogue, Pearman’s print reasserts the value of fine art in the twenty-first century."
Price: 175.00 |
